Julia Sarda

Júlia Sardà Portabella is an illustrator from Barcelona. She completed her studies in illustration in 2010 at Joso, the University of Fine Arts and Massana School in Barcelona. Her work, focused in editorial illustration, is recognized for her captivating and whimsical illustrations. She can be appreciated in several great books like The Wonderful Wizard of OzAlice in Wonderland and Charlie and the Chocolate Factory, or her first illustrated book La reina en la cueva.

Sarda’s vibrant colors illustrations, intricate details and enchanting dreamlike quality, hold the necessary elements to depict the fantastical world of Lewis Carroll’s. One can find a published Alice from Julia Sarda (2015, edited by Two Hoots), but also a sketched one. Interestingly, the first is inspired by Alice Lidell, the later depicts a classic blond Alice.

Rodney Matthews

Rodney Matthews is a renowned British illustrator known for his intricate detail, vivid colors, and fantastical imagery. Matthews is best known for his illustrations in the realms of fantasy, science fiction, and music, particularly album covers and book illustrations. His artwork often features imaginative landscapes, fantastical creatures, and intricate details that transport viewers to otherworldly realms. These are the perfect ingredients to illustrate “Alice in Wonderland”.

Matthews gained prominence in the 1970s and 1980s for his album cover artwork for numerous bands, particularly in the progressive rock genre. Matthews has also illustrated numerous books, ranging from fantasy and science fiction to children’s literature. Some of his most famous book illustrations include editions of “The Hobbit” and “The Lord of the Rings” by J.R.R. Tolkien, as well as his own original works such as “The Complete Spellbound Book” and “The Art of Rodney Matthews.”

His “Alice in the Wonderland” was edited in 2008 by Templar.

A.L. Bowley and Father Tuck’s

Father Tuck’s Panorama was a British publishing house known for its illustrated children’s books, postcards, and greeting cards. The company, Raphael Tuck & Sons, operated from the 19th to the mid-20th century. Starting in 1905, Father Tuck’s published a series of playable Alice versions illustrated by Ada Leonora Bowley. You can find a version of Alice with movable pictures, a “come to life Alice” (pop up style), a whole book with many B&W illustrations and one colour plate ( printed circa 1930), or a later one published for the ” THE GOLDEN TREASURY LIBRARY ” collection with many more colour plates.

From 1910 there is also a red pictorial paper over boards, with 8 accordion pleated panels and 14 color illustrations. The original copies have prohibitive prices , but there is a new edition Published by B Shackman & Co in 2000 that offers an affordable version.

Ada Leonora Bowley was recognized by her work for the Raphael Tuck publishing house, which very often was not credited to her (has in the case of the early Father Tuck’s Alice editions) . She attended the Blackheath School of Art and was one of the ‘Golden Age illustrators’ (1880s to the 1930s), who together with her sister Sophia May Bowley, illustrated amazing versions of all the nursery tales you may remember.

Lewis Carroll

Carroll the renowned English author of “Alice’s Adventures in Wonderland”, whose real name was Charles Lutwidge Dodgson, was in fact the first illustrator of Alice. Though is talent for drawing does not match his writing genius, his illustrations for “Alice Under Ground” added an enchanting visual dimension to the story. His intricate drawings complements the story’s fantastical nature. Although not as widely recognized as the illustrations by Tenniel, Carroll’s artwork offers a fascinating glimpse into the mind of the author and his imaginative interpretation of Wonderland.

One interesting aspect of Carroll’s illustrations is his depiction of Alice herself. Through his drawings, Carroll brings to life the character he envisioned. His illustrations often portray Alice with flowing hair, a determined expression, and a sense of wonder in her eyes. Carroll’s portrayal of Alice adds depth to the story.

At the end of his manuscript Carroll draws a portrait of Alice Liddell. If he intend his character to look like Alice herself, it is not that easy to tell. However, many other later Alice’s illustrators certainly did.

You can read more about the first Alice (1864) here: https://publicdomainreview.org/collection/carroll-illustrations-for-alice-undergound

Alice Ross

Alice Ross was a fine illustrator, who apparently worked mostly W.P. Nimmo. Unfortunately, not much information on the work of Alice Ross is available.

Her beautiful victorian Alice was out in 1907 when the original copyright ended.

Published by W.P. Nimmo, Hay & Mitchell (1907, Edinburgh)

Pat Andrea

Pat Andrea was born in Den Hague into a Dutch family of artists. He studied at the Royal Academy of Art under Co Westerik and later co-founded the ABN Group known as The New Hague School. Still a student, he won The Royal Prize for Painting in 1964 (which he received again in 1972). Andrea was a professor at the École Nationale Supérieure des Beaux-Arts in Paris from 1998 to 2007. He lives and works between Buenos Aires, Paris, and Den Hague. Of note, Pat Andrea was also an illustrator for the Playboy Magazine, which is consistent with his neo-expressionist art and clear focus on sexual motifs. His provocative Alice in the Wonderland, often identified as on of the best illustrations of Carroll’s tale, is no exception.

First published in 2006 by Diane de Selliers in a joint edition that also includes a second volume for Alice through the Mirror (sold together in a case). A second edition with a softcover was published in 2008.

A “dreamlike and nightmarish fantasy, lack of logic, and bizarre characters” that Carroll probably would not dare to dream.

Chris Riddell

Chris Riddell is a South African-born British illustrator. He has won three Kate Greenaway Medals – the British librarians’ annual award for the best-illustrated children’s book – among other distinctions. Riddell is also a recognized political cartoonist for the Observer, where his caricatures of well-known politicians justify his reputation as a fine draughtsman and commentator on the political landscape.

As a child, Chris Riddell was an admirer of the work of John Tenniel and of Alice in Wonderland. In 2020, celebrating the 200th anniversary of the birth of Sir John Tenniel, Macmillan – the original Alice’s publisher – produced a new representation of the iconic Alice tin the Wonderland, illustrated by Chris Riddell’s. This Alice was inspired by the real-life Alice Liddell and wonderfully brings her to life. Of note, there is also an Esperanto edition displaying these Riddell’s illustrations (Alico en Mirlando).

John Watson Davis

Born in Brooklyn (1870), John Watson Davis started his art education in Paris, after moving to Europe with his family at the age of ten. His father was also a book illustrator. His long career as illustrator is recognised,  in addition to his religious commissions, mostly by his drawings for Edgar Allan Poe novels and the Zane Grey tales of Sherlock Holmes.

J. Watson Davis drawing of Alice Adventures in Wonderland is hard to date with precision. There are two different editions, both including also Alice Through the Looking-Glass. The blue edition displays 8 colour plates, the red one only 4. Interestingly enough, these plates are different between books, despite both books being published by A.L. Burts (New York). If the blue book was published in 1901, and the red one in 1905,  is really hard to confirm, since none of them displays a printing date. What seems to be certain, is that this illustrated Alice was commercialized before 1907, this is, prior to the original Tenniel rights ceasing.

A. L. BURT , the publisher, was one of the first to use color, albeit only using orange (or light red). In both editions, J. Watson Davis drawings are very coherent, showing all of them the same halftone Alice, with orange details and a pale skin color.

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Blanche McManus (formerly identified as Unknown illustrator)

This Alice in Wonderland retold by Edith Robarts was first published in 1910 by Ward Lock & Co. The book offers 8 beautiful colour plates from an unknown artist. Interestingly, the March Hare is very similar to the one incorrectly attributed to Eleonora Mann.

Recently, I it was brought to my attention that these illustrations are very similar to those of Blanche McManus , one the first non-Tenniel versions of Alice (1899).

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Emma Chichester Clark

Emma Chichester Clark grew up in the countryside in Ireland in an old  farmhouse that inspired her first works. She studied graphic design at the Chelsea Art School in the 70s and  post-graduated in illustration at the Royal College of Art.  In 88, she won the Mother Goose Award for best newcomer, with “Listen to this” , a collection of seven picture books. Her nice illustrations fill the pages of many books that can be visited using this link. You may also enjoy her PLUMDOG BLOG.

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Emma Chichester Clark illustrated Alice is a faithful condensed form of the original story, beautifully illustrated with new vivid versions of the mad characters brought to our imaginarium by Lewis Carroll. Alice itself seems to be inspired on the Madeline books. This retold Alice was first published in 2009 by Harper Collins.