Pat Andrea

Pat Andrea was born in Den Hague into a Dutch family of artists. He studied at the Royal Academy of Art under Co Westerik and later co-founded the ABN Group known as The New Hague School. Still a student, he won The Royal Prize for Painting in 1964 (which he received again in 1972). Andrea was a professor at the École Nationale Supérieure des Beaux-Arts in Paris from 1998 to 2007. He lives and works between Buenos Aires, Paris, and Den Hague. Of note, Pat Andrea was also an illustrator for the Playboy Magazine, which is consistent with his neo-expressionist art and clear focus on sexual motifs. His provocative Alice in the Wonderland, often identified as on of the best illustrations of Carroll’s tale, is no exception.

First published in 2006 by Diane de Selliers in a joint edition that also includes a second volume for Alice through the Mirror (sold together in a case). A second edition with a softcover was published in 2008.

A “dreamlike and nightmarish fantasy, lack of logic, and bizarre characters” that Carroll probably would not dare to dream.

Willy Pogany

Willy Pogány  (born Vilmos Andreas Pogány) was a  Hungarian book illustrator recognized by his pen and ink drawings (although also mastering  warm pastels, watercolors and  oil). Most of his work fits into an Art Nouveau “fairy-tale” orientated style, abundant in mythical and magic creatures. He studied art in Paris, where he struggled for two years before moving to London. In London he produced some of his masterpieces, such as the The Rime of the Ancient Mariner, a major poem by Samuel Taylor Coleridge. During this period, Willy Pogány  became a Fellow of the London Royal Society of Art and received several awards. Ten years later (in 1914), he left to the US, extending his productions to different fields, including animated movies.

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His talented illustrations are a perfect match for the wonders Alice found down the rabbit-hole. Pogány’s Alice was first published in 1929 (New York: E. P. Dutton and Company), portraying a “jazz age” young lady that become known as the “flapper Alice”.

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Charles Robinson

Robinson’s Alice was printed in 1907 when Carroll’s text came into the public domain. Along with it, two full hands of other Alice versions were also published in 1907, contributing to justify why this was the “Golden Age of Illustration”.  Robison was a creative illustrator,  almost every page of his Alice in the Wonderland contains fascinating full-page drawings or beautiful colour plates, showing unusual inventive page layouts. I am not sure  what is more impressive in this book… the colour plates, the black-and-white work, or the many narrow vignettes running through the text.

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Charles Robinson was born in London (Islington) in 1870, he took night lessons in illustration, while working during the day. Due to his early unfortunate financial condition, he was not able to accept a place at the Royal Academy. However, his highly productive career granted him a place at the Royal Institute of Painters in Water Colours, one of the societies in the Federation of British Artists (Mall Galleries, London).

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Alice in the Wonderland, illustrated by Charles Robinson, printed in 1907 by Cassel (there is also a recent edition from Pook Press, 2013).

Benjamin Lacombe

Lacombe offers a subversive version of Alice. This French illustrator celebrated the 150 years of Alice with a magnificent piece of surrealist fantasy. Of note, Lacombe also wrote many of his illustrated works, which are clearly intended for a more adult audience. He obtained his degree in Paris, at “L´École Nationale Supérieure des Arts Décoratifs”, and represents a new and great generation of French illustrators. His production can be consulted here.

 

Published in 2017 by Soleil.

Anna Bond

Trained as a graphic designer, Anna Bond initially hesitated between following her passion in for illustration and a career in print design. She  end up soon discovering a lifelong love for stationery. She is the co-founder and CCO of the very successful Rifle Paper Co, which she started at the age of 23! If you check her portfolio  you will find a beautiful collection of notebooks, cards, patterns and hand-painted items. Using her vibrant patterns and colours, Anna Bond illustrated another amazing Alice’ book. Based on this colourfully upside-down Alice world, she created also a whole  fabric collection!

Deluxe hardcover edition from Puffin.  The completely unabridged book
features more than 70 full-colour illustrations, gold foil embellished
covers, and ornate endpaper designs. Published in October 2015.

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Andrea D’Aquino

This is likely one of the most beautiful contemporary illustrations of Alice’s adventures. Celebrating the 150th anniversary of Carroll’s book, Andrea D’Aquino has retold the story with hundred of colorful astonishing  illustrations. As commented elsewhere  “D’ Aquino illustrative ramblings run the gamut from watercolor to collage to everything in between, and it’s perhaps because of this cataclysmic range that she was chosen to illustrate this fantastic tale”. 

Awarded by American Illustration 2016, D´Aquino said “It’s my favorite book, but by no means had I ever considered illustrating it” – however – “when I was asked to illustrate it, I didn’t hesitate for a second. I know a great opportunity when it hits me over the head!”

The result could’t have been better…

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“The Caterpillar, perhaps the most psychedelic, explodes in reds and purples.”

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Published as part of Rockport Publishers’ Classics Reimagined series (2015).

Alfred Edward Jackson

AE Jackson was born in 1873. He was an exceptional and awarded student at the Camden School of Art, at the age of 18 his work was already in exhibition at the Royal Academy.

He started is long career as an illustrator of well known magazines and comics, and only a few years later has he produced his unforgettable and bestseller versions of  Gulliver’s Travels (1914),  Alice’s Adventures  (1915), Tales From Shakespeare (1919), The Water Babies (1920), Tales from the Arabian Nights (1920) and Robinson Crusoe (1921).

His dazzling purples, pinks and muted blues gave live to an extraordinary Alice.

(first published by Hoddern and Stoughton and by Milford in 1915)

Charles Folkard

Charles Folkard was a gifted and highly productive illustrator of children’s books. His illustrations of  Pinocchio, the Children’s Shakespeare and Grimm’s Fairy Tales and the Arabian Nights are among some of his most notorious works. Folkard is also recognised for the Daily Mail cartoon strips The Adventures of Teddy Tail, which were later published as a series of books.

His Alice’s illustrations were first published  as Songs from Alice in Wonderland and Through the Looking-Glass (A. & C. Black, 1921). Alice’s Adventures in Wonderland  using these same illustrations was only published in 1929 (also by A. & C. Black). Beautiful, as you can see…

Leonard Weisgard

Leonard Weisgard was a ward-winning illustrator of over 200 children’s books. “As a schoolboy, he was dissatisfied with the books supplied by the public schools he attended. He found the illustrations monotonous and thought that the world could not be all that dreary and limited to only one colour.” So he changed it! His books use a wide range of beautiful colours, creating a magic world…

His Alice version, often classified as “astonishingly”, is considered one of the 10 best ever produced. Is certainly one of my favourites!

Published by Harper and Brothers in 1949.

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